Field Observation – 5.22 Nashville

6th
Jun. × ’10

Field Observation - 5.22 NashvilleField Observation - 5.22 NashvilleField Observation - 5.22 Nashville

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Field Observation – Lady Jules

4th
Jun. × ’10

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Lady JulesLady JulesLady JulesLady Jules

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Field Observation – Unstabilization

27th
May. × ’10

Field Observation – UnstabilizationUnstable Molecules. They exist as a configuration of unknown atomic nuclei and electrons that are responsive to certain energized matter around them. Unstable molecules are typically utilized in fabrics beyond our understandings. It allows the fabric to conform with the wearer’s form and to not succumb to the wearer mutation. Essentially, it acts as an extension of the wearer’s skin.

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Wisdom – Stanley Kubrick

17th
May. × ’10

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“The whole idea that a movie should be seen only once is an extension of our traditional conception of the film as an ephemeral entertainment rather than as a visual work of art. We don’t believe that we should hear a great piece of music only once, or see a great painting once, or even read a great book just once. But the film had until recent years been exempted from the category of art – a situation I’m glad is finally changing.”

-“The Playboy Interview,” Stanley Kubrick on 2001, 1968

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Digital Journal – Scan

14th
May. × ’10

Digital Journal – Scan from Mister Jakyl on Vimeo.

Digital Journals = Motion Studies

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Field Observation – Sunset

25th
Apr. × ’10

Field Observation - Sunset

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Wisdom – Mark Romanek

18th
Apr. × ’10

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“In 1960 Stanley Kubrick gave this radio interview around the time that he made ‘Lolita.’ And the interviewer was asking him to suggest ways to improve the film industry for filmmakers and studios and exhibitors. And Kubrick had a number of interesting suggestions. But, at the end he said, ‘And I feel like these are some of the ways that filmmakers can make films that are both more daring and more sincere.’

And that phrase, ‘More daring and more sincere,’ hit me like a ton of bricks. It really struck me as the best definition of what makes something good that I’d ever heard. Is the film an expression about the human predicament that comes from a sincere place? And is it being expressed in a way that’s never been done before or in a way that’s truly daring?”

-Mark Romanek

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Wisdom – Le Corbusier

15th
Apr. × ’10

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“I prefer drawing to talking. Drawing is faster, and leaves less room for lies.”

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Field Observations – Webmaster Mike

4th
Apr. × ’10

Iconologic_WebMasterMikeHe piledrives the I in interactive…

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Scene from FRONTIN’, A feature length documentary on the history of the GRiLL.

16th
Mar. × ’10

FRONTIN’: Justin Keoninh’s photo shoot w/ Famous Eddie from Daniel Cheatham on Vimeo.

Photo shoot w/ Justin Keoninh @ the family home of Famous Eddie Gold, in Brooklyn, NY. Summer 2009.

Background:
Eddie Plein outfitted Flava Flav with a set of simple caps back in the eighties. Other top New York rappers followed, including Big Daddy Kane, Just-ice and Kool G Rap. In the early 1990s, Plein moved to Atlanta and began designing flashier fronts for artists including OutKast, Goodie Mob, Ludacris and Lil Jon. He now resides in Brooklyn.

Photo Story featured in the Field Journal section.

Thanks to Matt Kavanaugh for assisting and Daniel Cheatham and his documentary team.

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